Hey YA Readers! I’m a person who loves color, color theory, color therapy, and the meaning behind colors. It’s only natural I find myself thinking a lot about the colors of book covers and what they do/don’t say (as well as what colors we’re seeing a lot of or not seeing at all—hello, orange book covers in 2021!). Each year, Pantone selects a color of the year, and I find it interesting to see what the choice is and what the company believes the choice says about the year to come. This year, unlike prior years, Pantone elected two colors to bring in 2021: Illuminating, a bright yellow, as well as Ultimate Gray, a mid-tone gray. I thought it’d be fun to highlight five YA books that fit each of the colors—a perfect excuse to look at book covers, sure, but also a fun and clever way to highlight a wide range of books, both frontlist and backlist. Descriptions come from ‘Zon. Though we’ll definitely see more Illuminating YA covers in 2021 than we will Ultimate Gray, it’ll be interesting to see if either color becomes trendy in 2022. (The choices aren’t my favorite in conjunction with one another, if I’m being honest: I love the yellow, but paired with the gray, it feels a little too Pinterest Wedding Board circa 2011 for me).
Ultimate Gray YA
Illuminating YA
A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator. And the wolf is angry. Since her grandmother became her caretaker when she was four years old, Bisou Martel has lived a quiet life in a little house in Seattle. She’s kept mostly to herself. She’s been good. But then comes the night of homecoming, when she finds herself running for her life over roots and between trees, a fury of claws and teeth behind her. A wolf attacks. Bisou fights back. A new moon rises. And with it, questions. About the blood in Bisou’s past and on her hands as she stumbles home. About broken boys and vicious wolves. About girls lost in the woods—frightened, but not alone. But Karina has deadly aspirations of her own. Her mother, the Sultana, has been assassinated; her court threatens mutiny; and Solstasia looms like a knife over her neck. Grief-stricken, Karina decides to resurrect her mother through ancient magic . . . requiring the beating heart of a king. And she knows just how to obtain one: by offering her hand in marriage to the victor of the Solstasia competition. When Malik rigs his way into the contest, they are set on a course to destroy each other. But as attraction flares between them and ancient evils stir, will they be able to see their tasks to the death? The first in an fantasy duology inspired by West African folklore in which a grieving crown princess and a desperate refugee find themselves on a collision course to murder each other despite their growing attraction. When Frankie’s mother died and her father left her and her siblings at an orphanage in Chicago, it was supposed to be only temporary—just long enough for him to get back on his feet and be able to provide for them once again. That’s why Frankie’s not prepared for the day that he arrives for his weekend visit with a new woman on his arm and out-of-state train tickets in his pocket. Now Frankie and her sister, Toni, are abandoned alongside so many other orphans—two young, unwanted women doing everything they can to survive. And as the embers of the Great Depression are kindled into the fires of World War II, and the shadows of injustice, poverty, and death walk the streets in broad daylight, it will be up to Frankie to find something worth holding on to in the ruins of this shattered America—every minute of every day spent wondering if the life she’s able to carve out will be enough. I will admit I do not know the answer. But I will be watching, waiting to find out. That’s what ghosts do. Born to rule over all the monkeys in the world, the story of the Monkey King is one of the oldest and greatest Chinese fables. Adored by his subjects, master of the arts of kung-fu, he is the most powerful monkey on earth. But the Monkey King doesn’t want to be a monkey. He wants to be hailed as a god… Chin-Kee is the ultimate negative Chinese stereotype, and he’s ruining his cousin Danny’s life. Danny’s a popular kid at school, but every year Chin-Kee comes to visit, and every year Danny has to transfer to a new school to escape the shame. This year, though, things quickly go from bad to worse… The nephew of a senator, Evan seems to have it all – except a functional family. Alma has lived in Georgia since she was two, surrounded by a large (sometimes smothering) Mexican family. They both want out of this town. His one-way ticket is soccer; hers is academic success. When they fall in love, they fall hard, trying to ignore their differences. Then Immigration and Customs Enforcement begins raids in their town, and Alma knows that she needs to share her secret. But how will she tell her country-club boyfriend that she and almost everyone she’s close to are undocumented immigrants? What follows is a beautiful, nuanced exploration of the complications of immigration, young love, defying one’s family, and facing a tangled bureaucracy that threatens to completely upend two young lives. She’ll challenge thousands of other performers in an internationally televised competition looking for the next K-pop star, and she’ll do it better than anyone else. When Skye nails her audition, she’s immediately swept into a whirlwind of countless practices, shocking performances, and the drama that comes with reality TV. What she doesn’t count on are the highly fat-phobic beauty standards of the Korean pop entertainment industry, her sudden media fame and scrutiny, or the sparks that soon fly with her fellow competitor, Henry Cho. But Skye has her sights on becoming the world’s first plus-sized K-pop star, and that means winning the competition—without losing herself. But then Kate dies. And their story should end there. Yet Kate’s death sends Jack back to the beginning, the moment they first meet, and Kate’s there again. Healthy, happy, and charming as ever. Jack isn’t sure if he’s losing his mind. Still, if he has a chance to prevent Kate’s death, he’ll take it. Even if that means believing in time travel. However, Jack will learn that his actions are not without consequences. And when one choice turns deadly for someone else close to him, he has to figure out what he’s willing to do to save the people he loves. Now, confronted with reality, can Wes balance saving the bookstore and his strained sibling relationship? Can he win the heart of his crush, too? On the other hand, her sister June is dazzlingly rich with a high-flying finance job and a massive apartment. Unlike Jayne, June has never struggled a day in her life. Until she’s diagnosed with uterine cancer. Suddenly, these estranged sisters who have nothing in common are living together. Because sisterly obligations are kind of important when one of you is dying.
